- Hitfilm express system requirements full#
- Hitfilm express system requirements pro#
- Hitfilm express system requirements software#
When I realized how powerful the motion graphics tools in this software could be, I thought it would be really great to be able to import an XML or an AAF so that I could bring in my already edited sequence, see it in a timeline, and then simply tab over to the compositing interface and do my VFX work there. Now, I don’t consider myself a VFX or motion graphics artist, but it’s clear that the VFX capabilities of this software are powerful and much more impressive than the other tools, which is why it makes sense that FXHome seems to spend a lot of time making pretty cool VFX tutorials available on their Youtube channel.
Hitfilm express system requirements full#
All of your fundamental grading tools are available, like your primary and secondary wheels, your curves, as well as a full menu of LUTS or “Film Looks” as it is called in the application. Tabbing over to the color interface, you have all of your scopes, as well as a number of ‘effects’ you can apply to a clip much like you would in Photoshop or After Effects. Additionally, the viewer window shows timecode for exactly where in the timeline I’m moving my clip. This can be incredibly useful when navigating clips to other tracks in a busy timeline, or when moving audio and video separately and ensuring they’re kept in sync. For example, when selecting a clip to move on the timeline, red guidelines appear to show exactly the amount of space the clip will take up on a track before it is placed. Though I found the editor to be slow and somewhat unintuitive coming from a professional editing background using other NLEs, there were a few features I noticed that are fantastic and I haven’t seen before. Despite these shortcomings, it is worth noting that the interface is easily customizable so you can set up your workspace as you wish. I assume if I had timecode jammed audio and video, the merge option would work fine but the program wasn’t able to sync with just waveform. On my first attempt to use the "merge audio and video" function to automatically sync, the program crashed. If you’re working on a very powerful system, HitFilm is capable of handling up to 8K resolution, however, on my setup, it had trouble playing an HD 1920x1080 ProRes LT clip without lag. Manually syncing with the software became difficult because playback was so slow. However, some basic needs I have as a picture editor aren't available, like the ability to import keyboard settings rather than have to change each key function manually – and many of their default keyboard functions are different from other NLEs. It’s likely that it would be easy for beginning editors to quickly understand the editing interface.
Hitfilm express system requirements pro#
We take a look at several of its key features in this review.Īs a precursor, the setup that I used while testing HitFilm Pro 12 was:Īs a video editor, HitFilm Pro can feel a bit disconcerting when you attempt to use it for the first time, coming from a background with other NLEs. An all-in-one editor, compositor, and VFX suite with audio editing and color grading capabilities built in as well, HitFilm Pro 12 should be considered for your next motion graphics-heavy project. FXHome’s HitFilm Pro 12 is one of those full-suite applications making collaboration in one single software possible. VFX powerhouse HitFilm Pro 12 is making progress towards single-app post workflows.Īt this moment in time, post-production workflows are moving towards single-application solutions.
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